Death is one of the few universal experiences of the human condition and, at the same time, one of the most mysterious. Throughout history, religions, spiritual traditions, philosophical schools of thought, and even science have sought to answer the same question: What happens after the end of life? Is there a soul, a consciousness, or some form of existence that persists beyond death?
Cinema, the art of the image and the imagination, has continually explored this enigma. From the earliest ghostly depictions to the most complex contemporary reflections on memory, identity, and transcendence, the seventh art has found countless ways to give form to the invisible—to that which eludes human understanding.
Bringing together works from different eras, geographies, and artistic sensibilities, this programme offers a journey through some of the answers that cinema has imagined for states of existence after death. From past lives to intermediate worlds, through ancestral connections, states of limbo, experiences of mourning, and processes of transformation, the selected films intersect around themes such as the survival of memory, “limbo,” and the multiple forms of haunting—whether intimate, political, or collective.
From the poetic visions of filmmakers such as Jean Cocteau, Michael Powell and Emeric Pressburger, and Kaneto Shindō to the contemporary approaches of Courtney Stephens, Hirokazu Koreeda, Apichatpong Weerasethakul, Shirin Neshat, and Gaspar Noé, this programme explores different conceptions of the afterlife, showing how cinema continues to reinvent one of humanity’s oldest mysteries.
Curated by Justin Jaeckle and Lídia Queirós

Orpheus, Jean Cocteau
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Death is one of the few universal experiences of the human condition and, at the same time, one of the most mysterious. Throughout history, religions, spiritual traditions, philosophical schools of thought, and even science have sought to answer the same question: What happens after the end of life? Is there a soul, a consciousness, or some form of existence that persists beyond death?
Cinema, the art of the image and the imagination, has continually explored this enigma. From the earliest ghostly depictions to the most complex contemporary reflections on memory, identity, and transcendence, the seventh art has found countless ways to give form to the invisible—to that which eludes human understanding.
Bringing together works from different eras, geographies, and artistic sensibilities, this programme offers a journey through some of the answers that cinema has imagined for states of existence after death. From past lives to intermediate worlds, through ancestral connections, states of limbo, experiences of mourning, and processes of transformation, the selected films intersect around themes such as the survival of memory, “limbo,” and the multiple forms of haunting—whether intimate, political, or collective.
From the poetic visions of filmmakers such as Jean Cocteau, Michael Powell and Emeric Pressburger, and Kaneto Shindō to the contemporary approaches of Courtney Stephens, Hirokazu Koreeda, Apichatpong Weerasethakul, Shirin Neshat, and Gaspar Noé, this programme explores different conceptions of the afterlife, showing how cinema continues to reinvent one of humanity’s oldest mysteries.
Curated by Justin Jaeckle and Lídia Queirós
Full programme
Sorrowful Shadow, Guy Maddin, 2004
Orpheus, Jean Cocteau, 1950
Our Song to War, Juanita Onzaga, 2018
Uncle Boonmee Who Can Recall His Past Lives, Apichatpong Weerasethakul, 2010
Kuroneko, Kaneto Shindo, 1968
Women Without Men, Shirin Neshat, 2009
Ghost, Jerry Zucker, 1990
Nosferasta: First Bite, Adam Khalil and Bayley Sweitzer, 2021
I Walked with a Zombie, Jacques Tourneur, 1943
Flesh and Ghost, Sky Hopinka, 2025
Invention, Courtney Stephens, 2024
Last Movies, Stanley Schtinter, 2026
The Family and the Zombie, Karrabing Film Collective, 2021
An Asian Ghost Story, Bo Wang, 2023
Oh Be a Fine Girl Kiss Me, Alice dos Reis, 2026
After Life, Hirokazu Koreeda, 1998
Enter the Void, Gaspar Noé, 2009
A Matter of Life and Death, Michael Powell and Emeric Pressburger, 1946
Families
All Dogs Go to Heaven, Don Bluth, 1989
Marona’s Fantastic Tale, Anca Damian, 2019
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