100 x Marilyn

In the month marking the centenary of her birth, we present a retrospective dedicated to Marilyn Monroe, featuring a selection of films that were milestones not just in her career, but in the history of cinema as a whole.
Born Norma Jeane Mortenson, in Los Angeles, Monroe had a difficult childhood far from the glamour that would later define her. She began her career as a pin-up model but was quickly absorbed into the Hollywood studio machinery, taking on small roles before becoming one of the most popular stars of the 1950s.
Her filmography is proof of that evolution: from the “dumb blonde” of Gentlemen Prefer Blondes (1953) to the sophisticated comic of Some Like It Hot (1959), culminating in the singular vulnerability of The Misfits (1961). In every role, Monroe demonstrated a rare talent for comedy and dramatic nuance, with an ability to transform fragility into screen power and sensuality into innocence.
Even when limited by the script, her glow would shine through the gaps in the narrative, making each of her characters as irresistibly magnetic as the next.
Monroe was self-taught and never stopped studying: she attended the Actors Studio, where she took singing and dance classes; she was a voracious reader, of poetry and essays; and she was deeply interested in classical music and jazz. Discreetly, she also held antiracist views and supported Black actors, a not insignificant gesture in the era of racial segregation. In 1955, seeking greater creative control over her career in a male-dominated system based on oppressive contracts, she founded Marilyn Monroe Productions, producing films such as Bus Stop (1956) and The Prince and the Showgirl (1957).
Though her career was cut short, Marilyn Monroe continues to inhabit our collective imagination. She is frequently imitated and reinterpreted, a symbol of nostalgia and, at the same time, an inspiration for new artistic work. More than a pop icon, Monroe can be read today as a symbol of Hollywood’s contradictions: of the exploitation of the female body, and the ongoing struggle, not always successful, for autonomy, artistic credibility and an authentic voice.

100 x Marilyn
100 x Marilyn

Gentlemen Prefer Blondes, Howard Hawks, 1953

100 x Marilyn100 x Marilyn
21
May

5
July
2026

In the month marking the centenary of her birth, we present a retrospective dedicated to Marilyn Monroe, featuring a selection of films that were milestones not just in her career, but in the history of cinema as a whole.
Born Norma Jeane Mortenson, in Los Angeles, Monroe had a difficult childhood far from the glamour that would later define her. She began her career as a pin-up model but was quickly absorbed into the Hollywood studio machinery, taking on small roles before becoming one of the most popular stars of the 1950s.
Her filmography is proof of that evolution: from the “dumb blonde” of Gentlemen Prefer Blondes (1953) to the sophisticated comic of Some Like It Hot (1959), culminating in the singular vulnerability of The Misfits (1961). In every role, Monroe demonstrated a rare talent for comedy and dramatic nuance, with an ability to transform fragility into screen power and sensuality into innocence.
Even when limited by the script, her glow would shine through the gaps in the narrative, making each of her characters as irresistibly magnetic as the next.
Monroe was self-taught and never stopped studying: she attended the Actors Studio, where she took singing and dance classes; she was a voracious reader, of poetry and essays; and she was deeply interested in classical music and jazz. Discreetly, she also held antiracist views and supported Black actors, a not insignificant gesture in the era of racial segregation. In 1955, seeking greater creative control over her career in a male-dominated system based on oppressive contracts, she founded Marilyn Monroe Productions, producing films such as Bus Stop (1956) and The Prince and the Showgirl (1957).
Though her career was cut short, Marilyn Monroe continues to inhabit our collective imagination. She is frequently imitated and reinterpreted, a symbol of nostalgia and, at the same time, an inspiration for new artistic work. More than a pop icon, Monroe can be read today as a symbol of Hollywood’s contradictions: of the exploitation of the female body, and the ongoing struggle, not always successful, for autonomy, artistic credibility and an authentic voice.

Full programme

Gentlemen Prefer Blondes, Howard Hawks, 1953

All About Eve, Joseph L. Mankiewicz, 1950

Don’t Bother to Knock, Roy Ward Baker, 1952

Niagara, Henry Hathaway, 1953

How to Marry a Millionaire, Jean Negulesco, 1953

The Seven Year Itch, Billy Wilder, 1955

The Prince and the Showgirl, Laurence Olivier, 1957

Some Like It Hot, Billy Wilder, 1959

The Misfits, John Huston, 1961

Monkey Business, Howard Hawks

Screenings

Ghost in the Shell

,

1995
The Vertical Smile

,

1973
Vai Ficar Fixe (Gohu)

,

2020
What Remains

,

2021
Please Make It Work

,

2022
Quantos dias tem o natal? Ou Rabanadas pelo ar

,

2025
Misbegotten

,

2007
Critical Zone

,

2023
Alma's Rainbow

,

1994
Days of Heaven

,

1978
Balconies

,

2003
The Cabinet of Dr. Caligari

,

1919
Velvet Goldmine

,

1998
Water Hazard

,

2024
Doll Clothes

,

1975
Golden Eighties

,

1986
Inner Child (Moullinex ft. Gpu Panic)

,

2021
Bad for a Moment

,

2024
Los placeres ocultos

,

1976
As Sombras e os Seus Nomes

,

2021
How I Fell In Love With Eva Ras

,

2016
Three Instagram Models Have a Picnic

,

2018
I Can't Sleep

,

Arte

,

1993
Nénette and Boni

,

Arte

,

1996
Chocolat

,

Arte

,

1988
Man No Run

,

Arte

,

1989
No Fear, No Die

,

Arte

,

1990
Trouble Every Day

,

Arte

,

2001
Friday Night

,

Arte

,

2002
The Intruder

,

Arte

,

2004
Towards Mathilde

,

Arte

,

2005
35 Shots of Rum

,

Arte

,

2008
White Material

,

Arte

,

2009
Bastards

,

Arte

,

2013
Let the Sunshine In

,

Arte

,

2017
Both Sides of the Blade

,

Arte

,

2022
High Life

,

Arte

,

2018
Stars at Noon

,

Arte

,

2022
The Day the Earth Stood Still

,

Jennifer Allora

,

1951
The New Sun

,

Agnieszka Polska

,

2017
The Confederation — The People Make History

,

Francis Boespflug

,

1978
What the Sun Has Seen

,

Agnieszka Polska

,

2017
Born in Flames

,

Catarina Ruivo

,

1983
John & Jane

,

Bernard Herrmann

,

2005
Air Conditioner

,

Fradique

,

2020
Space is the Place

,

John Coney

,

1974
1968<2018>2068

,

Keisha Rae Witherspoon

,

2018
The Great Silence

,

Georges Prat

,

2014
Flores

,

Jorge Jácome

,

2017
The War Game

,

Peter Watkins

,

1965
At Those Terrifying Frontiers Where the Existence and Disappearance of People Fade into Each Other

,

Basel Abbas

,

2019
Party on the CAPS

,

Meriem Bennani

,

2018
Letters from a Dead Man

,

Konstantin Lopushansky

,

1986
Silent Running

,

Douglas Trumbull

,

1972
Kirikou and the Sorceress

,

Michel Ocelot

,

1998
O Pesadelo do António Maria

,

Joaquim Guerreiro

,

1923
A Trip to the Moon

,

Pedro Henrique

,

1902
Fishing the Moon from the Pool

,

Zhou Kequin

,

1982
Wallace and Gromit — A Grand Day Out

,

Nick Park

,

1989
Gloria

,

Manuela Viegas

,

1999
Tall Stories

,

Karel Zeman

,

1987
Andre Valente

,

Catarina Ruivo

,

2003
Barehanded

,

Tomás Paula Marques

,

2016
In Case of Fire

,

Tomás Paula Marques

,

2019
Blindman’s Buff

,

Tomás Paula Marques

,

2021
When We Dead Awaken

,

Tomás Paula Marques

,

2022
A Sibila

,

Elso Roque

,

2023
Brazil

,

Terry Gilliam

,

1985
Supa Modo

,

Sky Hopinka

,

2018
Invention for Destruction

,

Guy Lecorne

,

1958
My Little Planet

,

Agnieszka Polska

,

2016
The Thousand-Year Plan

,

Agnieszka Polska

,

2021
How Do I Love Thee

,

Jeanne Waltz

,

1998
Xavier

,

Manuel Mozos

,

1991
Daybreak

,

Gabriel Abrantes

,

1939
Kicking the Clouds

,

Sky Hopinka

,

2021
Nosferasta: First Bite

,

Youssou N'Dour

,

2021
Maat

,

Fox Maxy

,

2020
Europa Europa

,

Agnieszka Holland

,

1990
maɬni — towards the ocean, towards the shore

,

Sky Hopinka

,

2020
Ste. Anne

,

Rhayne Vermette

,

2021
Berlin: Symphony of a Great City

,

Walter Ruttmann

,

1927
The Jester

,

José Álvaro Morais

,

1987
Where the Summer Goes: Chapters on Youth

,

David Pinheiro Vicente

,

2018
The Lamb of God

,

David Pinheiro Vicente

,

2020
Simão

,

David Pinheiro Vicente

,

2016
Housemaids

,

2012
Matilde Olha Para Trás

,

2021
Despiste

,

2019
Deprisa, deprisa

,

1981
Dear Pyongyang

,

2005
Crimes of the Future

,

1970
Era uma vez...

,

1950
The Circle

,

1970
Killing Time

,

1979
Natal 71

,

2000
Scanners

,

1981
Bread and Roses

,

2000
How to Build an Igloo

,

1949
The Ape Star

,

2021

Families

Ghost in the Shell

,

1995
The Vertical Smile

,

1973
Vai Ficar Fixe (Gohu)

,

2020
What Remains

,

2021
Please Make It Work

,

2022
Quantos dias tem o natal? Ou Rabanadas pelo ar

,

2025
Misbegotten

,

2007
Critical Zone

,

2023
Alma's Rainbow

,

1994
Days of Heaven

,

1978
Balconies

,

2003
The Cabinet of Dr. Caligari

,

1919
Velvet Goldmine

,

1998
Water Hazard

,

2024
Doll Clothes

,

1975
Golden Eighties

,

1986
Inner Child (Moullinex ft. Gpu Panic)

,

2021
Bad for a Moment

,

2024
Los placeres ocultos

,

1976
As Sombras e os Seus Nomes

,

2021
How I Fell In Love With Eva Ras

,

2016
Three Instagram Models Have a Picnic

,

2018
I Can't Sleep

,

Arte

,

1993
Nénette and Boni

,

Arte

,

1996
Chocolat

,

Arte

,

1988
Man No Run

,

Arte

,

1989
No Fear, No Die

,

Arte

,

1990
Trouble Every Day

,

Arte

,

2001
Friday Night

,

Arte

,

2002
The Intruder

,

Arte

,

2004
Towards Mathilde

,

Arte

,

2005
35 Shots of Rum

,

Arte

,

2008
White Material

,

Arte

,

2009
Bastards

,

Arte

,

2013
Let the Sunshine In

,

Arte

,

2017
Both Sides of the Blade

,

Arte

,

2022
High Life

,

Arte

,

2018
Stars at Noon

,

Arte

,

2022
The Day the Earth Stood Still

,

Jennifer Allora

,

1951
The New Sun

,

Agnieszka Polska

,

2017
The Confederation — The People Make History

,

Francis Boespflug

,

1978
What the Sun Has Seen

,

Agnieszka Polska

,

2017
Born in Flames

,

Catarina Ruivo

,

1983
John & Jane

,

Bernard Herrmann

,

2005
Air Conditioner

,

Fradique

,

2020
Space is the Place

,

John Coney

,

1974
1968<2018>2068

,

Keisha Rae Witherspoon

,

2018
The Great Silence

,

Georges Prat

,

2014
Flores

,

Jorge Jácome

,

2017
The War Game

,

Peter Watkins

,

1965
At Those Terrifying Frontiers Where the Existence and Disappearance of People Fade into Each Other

,

Basel Abbas

,

2019
Party on the CAPS

,

Meriem Bennani

,

2018
Letters from a Dead Man

,

Konstantin Lopushansky

,

1986
Silent Running

,

Douglas Trumbull

,

1972
Kirikou and the Sorceress

,

Michel Ocelot

,

1998
O Pesadelo do António Maria

,

Joaquim Guerreiro

,

1923
A Trip to the Moon

,

Pedro Henrique

,

1902
Fishing the Moon from the Pool

,

Zhou Kequin

,

1982
Wallace and Gromit — A Grand Day Out

,

Nick Park

,

1989
Gloria

,

Manuela Viegas

,

1999
Tall Stories

,

Karel Zeman

,

1987
Andre Valente

,

Catarina Ruivo

,

2003
Barehanded

,

Tomás Paula Marques

,

2016
In Case of Fire

,

Tomás Paula Marques

,

2019
Blindman’s Buff

,

Tomás Paula Marques

,

2021
When We Dead Awaken

,

Tomás Paula Marques

,

2022
A Sibila

,

Elso Roque

,

2023
Brazil

,

Terry Gilliam

,

1985
Supa Modo

,

Sky Hopinka

,

2018
Invention for Destruction

,

Guy Lecorne

,

1958
My Little Planet

,

Agnieszka Polska

,

2016
The Thousand-Year Plan

,

Agnieszka Polska

,

2021
How Do I Love Thee

,

Jeanne Waltz

,

1998
Xavier

,

Manuel Mozos

,

1991
Daybreak

,

Gabriel Abrantes

,

1939
Kicking the Clouds

,

Sky Hopinka

,

2021
Nosferasta: First Bite

,

Youssou N'Dour

,

2021
Maat

,

Fox Maxy

,

2020
Europa Europa

,

Agnieszka Holland

,

1990
maɬni — towards the ocean, towards the shore

,

Sky Hopinka

,

2020
Ste. Anne

,

Rhayne Vermette

,

2021
Berlin: Symphony of a Great City

,

Walter Ruttmann

,

1927
The Jester

,

José Álvaro Morais

,

1987
Where the Summer Goes: Chapters on Youth

,

David Pinheiro Vicente

,

2018
The Lamb of God

,

David Pinheiro Vicente

,

2020
Simão

,

David Pinheiro Vicente

,

2016
Housemaids

,

2012
Matilde Olha Para Trás

,

2021
Despiste

,

2019
Deprisa, deprisa

,

1981
Dear Pyongyang

,

2005
Crimes of the Future

,

1970
Era uma vez...

,

1950
The Circle

,

1970
Killing Time

,

1979
Natal 71

,

2000
Scanners

,

1981
Bread and Roses

,

2000
How to Build an Igloo

,

1949
The Ape Star

,

2021

Other events

Relacionados

Become a BFF

Batalha Centro de Cinema

Praça da Batalha, 47
4000-101 Porto

batalha@agoraporto.pt

A enviar...

O formulário contém erros, verifique os valores.

The form was submitted.

O seu contacto já está inscrito! Se quiser editar os seus dados, veja o email que lhe enviámos.

©2025 Batalha Centro de Cinema. Design de website por Macedo Cannatà e programação por Bondhabits by LOBA

01010101
02020202
03030303
04040404
04040404
batalhacentrodecinema.pt desenvolvido por Bondhabits. Agência de marketing digital e desenvolvimento de websites e desenvolvimento de apps mobile